Hunter Biden My daddy thinks my art should be in the “National Gallery of Art”

While Hunter has come under criticism for the abrupt and weird circumstances surrounding the sale of his art work for hundreds of thousands of dollars to “anonymous” investors.
On a recent interview on an art podcast called “Nota Bene”
Hunter said, “Mom and Dad and Melisa who think everything I do should be put in the National Gallery.”
“That’s what it’s about,” Hunter continued about reaching a wider audience. “Is to have the courage to kinda go out there and do that, and, you know, I could just stay my studio and paint for myself, and, ahhh, and, and, and I ultimately do do that.”
“But it’s kind of, ummm, exciting to know that there’s audience, and for that audience to be able to have their own interpretation of what your painting means to them,” he said. “I think it’s a great thing for an artist.”
When Hunter was challenged as to what he thought about those who condemn the practice of trading off his father’s name, he responded by using profanity.
“Fuck em… Look man,” Hunter Biden said on the Nota Bene Podcast, “I never said my art was going to cost what it was going to cost, or how much it would be priced at. I would be amazed, you know, if my art was sold, for you know, for, umm, for ten dollars.”
Hunter Biden’s artwork dealings have caused Rep. Michael Waltz (R-FL) to introduce legislation Wednesday to block the “shameless grift” of selling “art” to “anonymous” investors.
Hunter recently struck a deal with art aficionado Georges Bergès who has strong connections to China to sell his art after organizing two art shows this fall.
President Joe Biden’s son made deals with Chinese officials and made tens of thousands of dollars per month serving on the board of Burisma in 2014.
“My plan is to be the lead guy in China; the lead collector and art dealer discovering and nurturing talent from that region,” Bergès said. “I plan to find and discover and bring to the rest of the world those I consider China’s next generation of modern artists.”
Bergès also claimed in 2014 that he travels to Communist China “three or four times a year” and that, at the time, he had a “solid group of about 25 collectors, most of them overseas.”

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